![]() These previously unpublished images are now on display in two showcases in the exhibition. Bearing witness to this special relationship are the private photographs they took of each other in the South of France. The American photographer Sheila Metzner had a very close friendship with Helmut and June Newton. They are now being publicly exhibited for the first time at the Helmut Newton Foundation. Meyerowitz recently rediscovered these portraits in his archive, and for the first time a selection was published in book form in autumn 2019. They represent a different, freer and sometimes more permissive America than we know today. Seen as a whole, his series is a fascinating study of a liberal, individualistic community on the American East Coast. Meyerowitz’s extensive portrait series was not produced on commission but was an independent project. The people, including numerous friends and acquaintances of Meyerowitz, appear open, unaffected, authentic. We see intense and curious glances back into the camera and only a few poses. Shot mostly outdoors, his subjects include men and women, young and old, alone or as a couple. With his large-format camera he captured images of like-minded free spirits who were also there for a summer holiday by the sea surround by nature. Every summer in the late 1970s and early 1980s, Meyerowitz retreated from New York City to the idyllic former fishing village of Provincetown. The portraits taken by Joel Meyerowitz in Provincetown, Massachusetts, were made around the same time as the Newton images presented. ![]() The images presented in this exhibition clearly show how Newton’s pictorial language changed during his time in the USA and that portraiture became increasingly important for him. In the 1970s, most of Newton’s American fashion and nude photographs were shot in New York, Las Vegas, Miami, and Los Angeles for various magazines Newton included some of these in his second photography book, Sleepless Nights (1978).Īfter 1980, when Helmut and June Newton began traveling regularly to Los Angeles to spend the winter months at Chateau Marmont, he made numerous portraits of the “famous and infamous” in and around Hollywood for magazines such as Egoïste, Interview, Vanity Fair, and New Yorker, as well as some nudes for Playboy. Newton liked the United States and the sense of freedom it offered, and he regularly commuted between the Old and New Worlds. In New York, Newton delivered his photographs directly to Alexander Liberman, who was the editorial director of American Vogue from the 1960s to the 1990s – not to mention a successful painter, sculptor, and photographer himself. During this time, he produced images in both Europe and the USA. ![]() Helmut NewtonĪfter taking a full-time position with the French edition of Vogue in 1961, Helmut Newton worked in parallel for the fashion magazine’s American edition as well. The special exhibition "America 1970s/80s" of the Helmut Newton Foundation at the Museum für Fotografie in Berlin presents works by Evelyn Hofer, Sheila Metzner, Joel Meyerowitz, and Helmut Newton.
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